BRAXTON COOK AT JAZZ CAFE FOR GROOVE MAGAZINE

His London show revealed the full scope of the multi-hyphenate artist, turning Jazz Café into a space of connection, vulnerability, and technical brilliance. 

FOR GROOVE MAGAZINE

Read the full review here and check out Groove: https://www.groovemagazine.co/music-culture/braxton-cook-brings-masterful-musicianship-to-the-jazz-caf

It was only right that Braxton Cook stopped at the Jazz Café during his Not Everyone Can Go tour. The project is a profound exploration of fatherhood and the things you let go of as you find your feet in the next chapter of your life. The American jazz and alt-RnB vocalist and multi-instrumentalist graced the iconic Camden venue and delivered a show of exceptional musicianship. 

As the crowd settled in, the lights dimmed for  nu-jazz, soul singer and keyboardist Madeline, who opened the show. Madeline offered a glimpse into her soft, ethereal vocals and keyboard talents, performing tracks like ‘See Me Too’, which sits comfortably in nu-jazz territory, and ‘Hold Her’, which features progressive, electronic elements. Her versatility and fusion of modern jazz with gentle vocals made her the perfect opener, setting the tone for what was to follow.

Braxton Cook introduced the crowd to his boundless realms of contemporary jazz with his 2018 single, ‘No Doubt,’ satisfying long-term fans. The textured, upbeat jazz song started the show on a high note; from the first saxophone line to the explosive drum work, it was clear the band operated as a collective. The interplay between the musicians, with solo moments that drew genuine appreciation from the crowd, elevated each player while giving every instrument space to shine.

Between songs, Braxton’s enthusiastic storytelling and crowd interactions showcased a mixture of African-American genres that have influenced music. In particular, his incorporation of hip-hop-inflected instrumentals, with tight hi-hats and sharp snares, built tension and gave the band space to show their versatility while blending older influences with a modern sound.

One of the standout moments of the night was when Braxton expressed his admiration and adoration for his sons, encapsulated in the warm, heartfelt track ‘My Sun’. An extended, passionate drum solo introduced the track, leading into Braxton's graceful vocals. It was a personal and euphoric moment in which, even without lyrics, the band and Braxton’s unity conveyed the song’s tenderness and longing. Similarly, for ‘All My Life’, Braxton performed with Marie Dahlstrom on stage. The Danish songstress and jazz vocalist harmonised beautifully while offering contrasting perspectives on parenthood.

Throughout the show, Braxton spoke openly about the stories behind his songs and his creative process. His interactions with the crowd were genuine and insightful, met with cheerful applause. Yet it was his portrayal of true musicianship that stood out most. With each instrument, he added a layer of depth and intimacy that was even more amplified when experienced live. During ‘My Everything’, Braxton transitioned from his soulful singing and guitar to a playful rendition on the flute.

Towards the end of the show, Braxton performed a moving rendition of ‘MB,’ a song written in response to the police killing of Ma’Khia Bryant. He spoke about how the track was created during a period of intense reflection in the wake of George Floyd’s murder and the global protests that followed. Bryant’s death received minimal coverage in the mainstream media, and the officer involved was later cleared of all charges. As a means of honouring Ma’Khia, Braxton wrote ‘MB’, and concluded the show with ‘FYJD’, which addressed “the injustices that are still recurring in our culture and society.” He finished by saying that “we just need more love in this world.” In a set that blended virtuosity, vulnerability, and inventive contemporary jazz, Braxton Cook confirmed why he remains one of the most compelling musicians of his generation.

FOR GROOVE MAGAZINE

Read the full review here and check out Groove: https://www.groovemagazine.co/music-culture/braxton-cook-brings-masterful-musicianship-to-the-jazz-cafe

Photography by Electra Kaldeli

Braxton Cook Not Everyone Can Go (2025) Album Cover